Study conversation with Miguel Garcia

Art as a critical tool

Sant Nacís Girona

I met Miquel Garcia many years ago at Hangaran artistic creation center in Barcelona where I worked, and where he had a studio. Since then, his career has remained true to a critical perspective that manifests both in his work and in his relationship with the workspace. His trajectory is marked by research, social criticism, and a sharp perspective on the place he inhabits. From projects on historical memory to reflections on gentrification and precariousness, his work puts a finger on the wound of issues that often go unnoticed. In this conversation, we discuss his process, the challenges of being an artist without a fixed studio, and the role of art as a critical tool.

How would you describe your studio?

My workspace is the one I don’t have. For many years, I had different studios and workshops, multidisciplinary spaces where I could store all the materials I use for my production. But currently, my studio is nomadic: I work a lot in the library, conduct research, and when I need a specific space for production, I find a temporary workshop. Right now, for example, I’m at the cultural association La Volta, in the Sant Narcís neighborhood of Girona, where I’ve rented a space for a month to develop a jewelry project.

Has not having a fixed studio changed the way you work or approach your art?

Completely. I no longer have a permanent studio, which has forced me to adapt and take on specific projects depending on the space available to me. If I have a workshop, I can work more plastically and extensively; if not, I focus on the conceptual aspects, research, and visuals. This mobility has significantly affected how I plan my production.

What elements or objects in your studio do you consider essential for your work?

Do you feel influenced by the physical space of the studio when you create?
A lot. The space determines the type of work I do. If I have a large workshop, I can work with painting and sculpture; if not, I focus on research and more conceptual projects. Right now, for example, I want to start a sculpture project, but I need an appropriate space and haven’t found one yet.
 
How do you organize your time in the studio? Do you have a special routine?
I try to stay organized, but the administrative and management tasks that visual artists have to deal with today make it complicated. When I work, I silence my phone and avoid checking emails. At the library, this focus is even stronger. When I do jewelry work, I listen to music and fully immerse myself in creation.
 

How does the environment where your studio is located affect you?

Right now, I’m at La Volta, a space I already knew from previous residencies. Although the neighborhood hasn’t directly influenced this particular project, my current work is about the bombings of the Spanish Civil War in Girona, so the city always ends up being present in my work.

How does the environment where your studio is located affect you?

Right now, I’m at La Voltaa space I already knew from previous residencies. Although the neighborhood hasn’t directly influenced this particular project, my current work is about the bombings of the Spanish Civil War in Girona, so the city always ends up being present in my work.

How do local elements (culture, landscape, community) influence your work?

The culture and history of each place influence my work. Right now, I’m working on a project related to Girona’s historical memory, and there’s always a dialogue with the territory and its people.

Is there any aspect of the city/town/environment that you find particularly inspiring for your work?
Girona is a city with great sensitivity for art and culture, but it lacks artistic production spaces. There are good cultural and educational programs, but there is no creation center like Hangar in Barcelona. This reality has made me reflect a lot on the importance of having infrastructure for artists.
 

Do you think your work would be different if you were in another place?

Most likely. The available space and local culture greatly shape the type of work I can do. In Brazil, for example, I had a studio at “Casa das Caldeiras” for a year, and my work took a different approach there. If I had a permanent space, I could work with other materials and formats.

How do you connect with the artistic or cultural community of the place where you work?
I know people from La Volta and other artistic spaces. It’s always interesting to exchange ideas with other artists and creators. Interaction with the community always enriches my work.

Does the place where you live offer specific opportunities or challenges for an artist?

Girona has a vibrant artistic community, but the lack of production spaces is a major challenge. Additionally, the city has undergone a peculiar process of gentrification, largely driven by the cycling boom. This phenomenon has transformed the Barri Vell into a highly valued area, with restaurants, shops, and even housing specifically geared towards cyclists. Initially, this new economic dynamic was seen as an opportunity, but it has ended up causing problems such as the rising cost of living and overcrowding in public spaces. Right now, the city is experiencing a polarization between those who support this model and those who warn of its consequences. At the same time, many Girona-based artists have chosen to settle outside the city, taking advantage of the proximity of villages with strong symbolic significance, such as Empúries, Rupià, or La Bisbal, where artistic revitalization projects are emerging. So, while Girona struggles with its own transformation, its surroundings continue to be a hub for artistic creation and dialogue with the territory.

https://www.miquelgarcia.net/

Sant Narcís: a neighborhood with soul

The Sant Narcís neighborhood, located west of Girona, is known for its rich history, the distinctive architecture of its “cases barates”, and a vibrant community life that thrives particularly around Plaça de l’Assumpció. Close to the train station and city center, it combines the charm of its historic architecture with an active community and a pace of life that still preserves the essence of an authentic neighborhood. This makes it one of the best options for those looking to escape the prohibitive prices of the city center or more expensive areas.

The Iconic Houses of Sant Narcís: History and Charm

After the 1940 floods, the construction of 400 homes known as “cases barates” or “garden houses” began to accommodate affected families. These single-family homes, designed with a small garden, reflect the influence of the garden city movement promoted by architect Ignasi Bosch. This unique architecture has helped shape a distinct identity and a strong sense of community among residents. Walking through its streets, one finds a welcoming atmosphere, with long-time residents and new arrivals who appreciate the balance between history and comfort.

A Lively Neighborhood: Plaça de l’Assumpció, La Volta, and an Active Community

The heart of Sant Narcís beats in Plaça de l’Assumpció, a space that is always full of life. Here, festivals, markets, neighborhood gatherings, and concerts are regularly organized, maintaining a strong tradition of community life. One of the most notable examples is La Volta, a project that brings artists’ and artisans’ workshops to life, transforming the square into a cultural landmark in Girona. This makes Sant Narcís a neighborhood with a creative and dynamic soul, where there is always something new to discover.

The Sant Narcís neighborhood in Girona has experienced significant growth in its real estate market in recent years. This area combines a strategic location with a wide range of services, making it an attractive option for both families and professionals looking to settle in the city.

According to data from SpainHouses.net, as of September 2024, the average price per square meter in Sant Narcís was €2,300, with an average home price of €207,000. spainhouses.net

This figure is lower than the average for the city of Girona, where the price per square meter stands at €2,629, according to Fotocasa data from July 2023. diaridegirona.cat

This figure is lower than the average for the city of Girona, where the price per square meter stands at €2,629, according to Fotocasa data from July 2023. elconfidencial.com

The combination of competitive prices and a prime location makes Sant Narcís an attractive option.

Why Choose Sant Narcís?

If you’re looking for a neighborhood with character, where you can be part of an authentic community and enjoy a relaxed yet well-connected lifestyle in Girona, Sant Narcís is undoubtedly worth considering. Buying here means investing in a more human, welcoming, and affordable way of life.

Want More Information?

If you’re interested in buying or selling a property in Sant Narcís, don’t hesitate to contact me. I can help you find the best option to suit your needs.

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